Abraham Bloemaert(1566, Gorinchem - 27 January 1651, Utrecht), was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. Bloemaert was the son of an architect, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. He then spent three years in Paris, studying under several masters, and on his return to his native country received further training from Hieronymus Francken. In 1591 he went to Amsterdam, and four years later settled finally at Utrecht, where he became dean of the Guild of St. Luke. He excelled more as a colourist than as a draughtsman, was extremely productive, and painted and etched historical and allegorical pictures, landscapes, still-life, animal pictures and flower pieces. In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include pictoresque ruined cottagges and other pastoral elements. In these works, the religious or mythological figures play a subordinate role. Country life was to remain Bloemaert's favourite subject, which he depicted with increasing naturalism. He drew motifs such as peasant cottages, dovecotes and trees from life and then on his return to the studio, worked them up into complex imaginary scenes. Among his pupils are his four sons, Hendrick, Frederick, Cornelis, and Adriaan (all of whom achieved considerable reputation as painters or engravers), the two Honthorsts, Ferdinand Bol and Jacob Gerritsz Cuyp. | |||
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Shepherd Boy Pointing at Tobias and the Angel Pintura Identificación:: 75335 Vea nuestra galería en Suecia |
Shepherd Boy Pointing at Tobias and the Angel Date c. 1625-1630 Medium Oil on canvas Dimensions 36 1/4 x 46 3/8 in. (92,08 x 117,79 cm) cyf Date_c._1625-1630 _ Medium_Oil_on_canvas _ Dimensions_36_1/4_x_46_3/8_in._(92,08_x_117,79_cm) _cyf |
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Shepherdess with Grapes Pintura Identificación:: 81322 Vea nuestra galería en Suecia |
Shepherdess with Grapes Date 1628 Medium Oil on canvas Dimensions Deutsch: 104 x 83,5 cm cjr Date_1628 _ Medium_Oil_on_canvas _ Dimensions_Deutsch:_104__x__83,5_cm_ cjr |
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Niobe weeping for her children Pintura Identificación:: 81494 Vea nuestra galería en Suecia |
Niobe weeping for her children Date 1591(1591) Medium Oil on canvas Dimensions 204 cm x 249.5 cm cjr Date_1591(1591) _ Medium_Oil_on_canvas _ Dimensions_204_cm_x_249.5_cm _ cjr |
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Niobe weeping for her children Pintura Identificación:: 85498 Vea nuestra galería en Suecia |
Niobe weeping for her children 1591(1591) Medium Oil on canvas Dimensions 204 cm x 249.5 cm cyf 1591(1591) _ Medium_Oil_on_canvas _ Dimensions_204_cm_x_249.5_cm _ cyf |
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The Emmaus Disciples Pintura Identificación:: 89324 Vea nuestra galería en Suecia |
The Emmaus Disciples 1622(1622) Medium oil on wood cyf 1622(1622) _ Medium_oil_on_wood _ cyf |
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| Artista Previo Próximo Artista | ||||||||||
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| Abraham Bloemaert | ||||||||||
| (1566, Gorinchem - 27 January 1651, Utrecht), was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. Bloemaert was the son of an architect, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. He then spent three years in Paris, studying under several masters, and on his return to his native country received further training from Hieronymus Francken. In 1591 he went to Amsterdam, and four years later settled finally at Utrecht, where he became dean of the Guild of St. Luke. He excelled more as a colourist than as a draughtsman, was extremely productive, and painted and etched historical and allegorical pictures, landscapes, still-life, animal pictures and flower pieces. In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include pictoresque ruined cottagges and other pastoral elements. In these works, the religious or mythological figures play a subordinate role. Country life was to remain Bloemaert's favourite subject, which he depicted with increasing naturalism. He drew motifs such as peasant cottages, dovecotes and trees from life and then on his return to the studio, worked them up into complex imaginary scenes. Among his pupils are his four sons, Hendrick, Frederick, Cornelis, and Adriaan (all of whom achieved considerable reputation as painters or engravers), the two Honthorsts, Ferdinand Bol and Jacob Gerritsz Cuyp. | ||||||||||
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